February 10, 2009 102 Comments
There is a professional accounting niche that is little known – Film Production Accounting. I regularly receive queries to my web site, or my blog, about film production accounting and of how to enter this field. Most of the queries are from the Los Angeles area, especially from accountants who have a small accounting practice, but not always. One young man emailed me from the mid-west – he was interested in working in Louisiana, where a number of productions have sprung up over the past 4 or 5 years.
FILM PRODUCTION ACCOUNTANT CATEGORIES AND EXPECTED PAY
Production accountants usually fall into the field without much of any kind of accounting background. I believe that film production is the last industry in the world to hire accountants who don’t have some kind of formal training in accounting. Most film accountants get into that position through a period of apprenticeship as assistant accountants. The levels usually go from File Clerk, 2nd Assistant Accountant, 1st Assistant Accountant to Key Production Accountant (sometimes referred to as the Production Auditor). Another position that is classified as an assistant accountant is the Payroll Accountant. The Payroll accountant is an expert in calculating complicated union payroll time sheets and is usually too busy to do much else than just that one function. A good payroll accountant can make in the area of $1800 to $2,000/week on the bigger Hollywood productions and are worth every cent.
The File Clerk would start in the range of $500-$700/Week, a 2nd Asst Accountant in the $900 – $1400/Week range, a 1st Assistant Accountant in the range of $1,500 to $2,000/Wk. usually the accountants get a little more on a big Studio production, and less on a small independent production.
THE SKILLS OF A FILM PRODUCTION ACCOUNTANT
The Film Production Accountant needs to be conversant with every area of film production, if not downright expert when it comes to predicting cost overruns. The rapidity of spending during the production of the feature film, or TV show, is so high that it would be a nightmare for someone who hasn’t been exposed to the usual reporting system. That’s why an experienced Film Production Accountant doesn’t get out of bed for less than $2,500 a week (a 5 day week). Experienced production accountants demand and get at least $3,500/5 day week, and if they go on location ask for another $1,000 to cover off Saturdays worked (even though they don’t need to work many Saturdays).
The Film Production Accountant’s job falls into the same three categories as any other accounting function:
- Bookkeeping (the speed of bookkeeping has to be experienced to understand. Petty Cash is often in the $60,000 to $80,000 a week range.)
-Reporting (there are very specific Budgeting and Weekly Cost Report formats which can be a bit of an IQ test until you get used to it. This type of report is used throughout the film production world from Australia to India to Europe to North America).
-Auditing (because the money appears to be spent so helter-skelter it can be abused, mostly by producers and department heads. It’s up to the production accountant to see the signals and prevent it before someone embarrasses themselves. There really are lists kept of those deemed to be A, B or C listed. Those that are B and C listed are almost always because of their inability to control their departmental budgets).
So, if you have an accounting background you can pick it up very quickly, but you really do need some experience first. The fact that you’re intimately dealing with so many facets of the actual film production it’s certainly a challenge and, I have to say after 25 years, tons more challenging and rewarding than working in manufacturing, banking, etc.
MY JOURNEY TO, AND IN, PRODUCTION ACCOUNTING
My own background started out in Engineering in the 70″s. Then, when I graduated I saw that open pit mining wasn’t doing it for me, so I started working with an accounting firm to earn a designation. My original purpose was to become skilled enough to be able to use both Engineering and Accounting to help failing businesses turn around. However, after I got my accounting designation I discovered that I would be taking a steep cut in pay to go back to being a junior engineer so I took a job as a Chief Accountant/Controller at a place with about 15 branches. After 5 years I went out on my own, starting a small accounting practice with a couple of other people. After a couple of years of beating the bushes and working 7 days a week I saw that I could make more money as a Film Production Accountant than I could in my practice, so I dropped my office space, my 2 staff, and started working as an assistant accountant.
I honestly thought that I would be a Key Production Accountant in no time, but it actually took me almost three years – with a wife and 2 kids, a third on the way, and a cut in my income I was REALLY pushing to start being the ‘Key” – as they call the department heads in film production.
By the late 80′s I was really enjoying myself, travelling with my young family, but always returning home for a gig or two, before travelling again. I’ve had my kids in school in Florida, upstate New York, Boston, Vancouver but always knowing that they would be returning home to their own school and friends. My wife didn’t have to work because I was making good money and the production was paying for my place to live and a daily ‘per diem’ which covered our food and spending while we were away. To me those were the glory years. As my kids grew up I had to stop traveling so much because they didn’t want to leave their friends, college, etc., but I still managed to get the family to Spain and South Africa. When I had to spend several months in Germany, though, I started to look at other ways to earn an income.
STEPPING STONE TO FILM PRODUCING AND PRODUCTION MANAGING
Like other industries, after spending many years accounting for and auditing the money, including advising producers and production managers, you start to get the idea that you can do as good as, or better job, at producing. There are many production accountants who have gone on to related film production careers – although, funnily enough, they often keep quiet about it. I presume because they want to distance themselves from the infamous “Blue Suit” – the much maligned Big Studio Exec. (Not a job for me – man, talk about pressure).
A downside to Production Accounting is that you don’t ever have a JOB. You get CONTRACTS which last anywhere from 5 weeks to 9 months (pretty seldom longer than that). I’d say that my average contract on a film or TV production in the $20Mil to $40Mil range was about 6 or 7 months. Honestly, I really liked the fact of working with different people. I have often talked with other people in the biz, and we almost all agree that the independence that brings is worth the stress of looking for contracts. Once you’ve been in the business for 3 years, and if you haven’t messed up, you’ll be on call, especially if you’re willing to travel.
So, there’s the pros and cons to getting into the film production industry as an accountant.
HOW TO BUST IN
In another blog I’ll tell you how I got started as an assistant film accountant and some tips for you to put yourself ahead of the pack.
Good luck in your career, whatever you choose.
For for about training as a film accountant see this link to film accounting workshops and training online.